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The built-in Limiter helps deliver a stable and reliable recording free of clipped noise from sudden input surges.īuilt-In Nondirectional Stereo Microphones Or you can record at several different level settings simultaneously. For example, you can use mics to capture the ambience of a performance hall while using line input to record the performance itself.
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Digital input/output is also provided.įour-channel recording gives you exceptional flexibility. The 4 XLR/Phone combo jacks come with switchable phantom power and give you a choice of MONO, STEREO, STEREO X2, or 4CH recording. Choose 16-bit or 24-bit quantization and a sampling rate of 44.1 kHz, 48 kHz, 88.2kHz, 96 kHz or 192kHz. Totally uncompressed recording assures outstanding sound quality.
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This allows precise monitoring of all recorded audio.Įxtended Recording with 80GB Hard Disk DriveĮquipped with a 80GB hard disk drive, the R-4 Pro can record a stereo audio file for approximately116 hours at 16bit/44.1kHz/ 106 hours at 16bit/48kHz, 70 hours at 24bit/48kHz, 34 hours at 16bit/96kHz, and 30 hours at 24bit/96kHz. Individual monitoring of all channels is enabled via the four analog outputs. Additional flexibility in power options include AA type battery power or AC power (via adapter). This enables power supplies from industry standard battery manufacturers for video cameras such as Anton-Bauer, etc. The R-4 Pro is equipped with a 4-pin XLR type battery power input. Easy and high speed duplication of recorded data improves production workflow across multiple locations.ĭC Input for External Battery Power Supply The USB host terminal of R-4 Pro enables high speed and instant backup of recorded data to affordable and easy obtainable media like Flash Memory, Memory Cards via card reader or HDD storage. The R-4 Pro is equipped with XLR style AES/EBU digital Input and Output.
#CHANNEL MASTER EDITOR DOWNLOAD CODE#
In addition, the R-4 Pro can also act as the master, sending out time code to slave devices. Four channels of high quality audio can be fully synchronized with video. The R-4 Pro accepts SMPTE time code which enables it to slave to video cameras or VTRs. Master or Slave Sync with SMPTE Time Code
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Read a "How To" on Studio Monthly website: " Record Four Channels of 16-bit Digital Audio with the Edirol R-4 Pro Portable Recorder " R-4 PRO Awarded VideoMaker's Best Product Award. Video editing environments now support multi-channel audio as standard.Simplify wedding shoots with a mic on the bride, groom, officiator and a mic for ambient sound.Redundancy or backup in case of camera mic noise or drop out.Place mics on each participant in conferences, panels, reporters, etc.Capture more ambient sound at any shoot for an overall more convincing soundscape.Why are 4-channels of audio better than 2-channels?